Interviews
INTERVIEW 2025
Somewhere between stillness and intensity, Morgan Bisoux renders the visible with an almost sacred focus. Her oil paintings radiate care — crafted through a delicate balance of technique and vision.
With a hyperrealist language, Morgan treats light as matter, creating surfaces that glisten and resonate. Her works don’t merely replicate — they elevate what we think we know of form and perception.
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Her art weaves references from ancient art and pop culture into something both current and timeless.
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Raised in an era of contradiction — analog and digital, past and future — Morgan channels that tension into her work. Each painting stands as both artifact and mirror, reflecting the emotional charge of lived experience.
INTERVIEW 2025
On the occasion of her exhibition at Harmon House Brussels, Morgan Bisoux shares her artistic journey and explains how she uses color, light, and drapery to evoke the lost sense of touch, while infusing her works with a dreamlike dimension.
INTERVIEW 2024
Step into the intimacy of the studio and dive into the artistic genesis of the AFTERPARTY, GOLD & GHOST series. This interview, conducted by the Federal Public Service Employment, Labour and Social Concertation, invites you to immerse yourself in the creative universe presented during the solo exhibition AFTERPARTY at the FPS Employment hall in Brussels. Discover the inspirations, challenges, and stories that brought these works to life.
INTERVIEW 2022
Interview conducted by Renew Art Gallery on the occasion of the AFTERPARTY exhibition at the O.H. Center in Brussels. The presented series highlights the complexity of textures and colors found in discarded street waste. These ubiquitous urban remnants become integral compositional elements, adding a subversive dimension to each painting.
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Press
​2025 - Lille Art'Up / Contemporary Art Fair Catalogue
2024 - Renew Art Gallery / Catalogue
2023 - Hello / Catalogue / collectif fi.gure
2021 - The Huts Magazine / Issue 6
"Morgan Bisoux is a hyper-realist painter living in Belgium.
Sensitive to the environment, she devotes a collection to the representation of empty gold cans crushed in different ways.
These wastes, highlighted to the point of being the painted subjects of her AFTERPARTY serie, question our daily consumption behaviors.
Moving one step closer to the metallic material ans still on the theme of packaging, she composes high-gloss paintings that accurately reproduce crumpled golden wrapping paper with the GOLD collection.
Very close to abstraction, these shine effects can induce pareidolia: the tendency of the brain to create meaning by assimilating random shapes to referenced shapes, as for example in the Rorschach test."
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The Huts Magazine - Issue 6 -2021
2023 - Hello / Catalogue / collectif fi.gure